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' Imagination is the one weapon in the war against reality ' - Jules de Gaultier
Creative Contexts for Learning has been a key feature of
the East Riding School Improvement Service's provision
since 2000, growing out of other creative Arts Projects
such as Creative Contexts for Literacy, 'Riding High' and
'Face to Face' .
At this point in time more than two thirds
of the East Riding of Yorkshire's schools have participated
in the initiative at some time.
Creative Contexts for Learning offers an opportunity
for schools to engage directly with Arts professionals
and as a result has become an important vehicle for
change by stimulating excitement, enjoyment and
encouraging co-operative creativity.
- David Mell, Organiser/Teaching and Learning Consultant, Creative Arts
The initiative has twice
been inspected by HMI, in 2002 and 2003 and it was
also a reference point for the QCA's research into the
nature of creativity.
Many individual schools and other LEAs have adopted
the Creative Contexts for Learning model and 'creative
contexts' has become a part of many schools' learning
and teaching vocabulary.
Creative Contexts for Learning offers an opportunity
for schools to engage directly with Arts professionals
and as a result has become an important vehicle for
change by stimulating excitement, enjoyment and
encouraging co-operative creativity.
It has had a radical
effect on teaching and on the learning of large numbers
of children.
It has helped to engage and motivate and
enhance the achievements of many children from the
less able to the gifted and talented.
Creative Contexts for Learning runs on a fairly small
budget but has a big effect on those involved.
As will be
evident from the brief descriptions and accompanying
images many schools have undertaken some original
and innovative work and many pupils have shown
considerable gains in their learning as a direct result of the
first-hand experience of working alongside professional
Arts practitioners.
Key features of Creative Contexts for Learning include
the recommendation that schools should have some
element of opportunity for the wider community
and that they should choose one or possibly two
Arts professional at most to be resident in school for
a sustained period or for regular visits over time.
The
belief being that immersion in an Arts activity and the
development of a close working relationship with an
artist pays greater dividends and is much more fulfilling
for pupils, teachers and for artists.
This philosophy has
been endorsed by research findings by the NFER.
Their
Report 'The Arts Education Interface: A Mutual Learning
Triangle?' [Harland et al. NFER 2005] which states that
substantial benefits can be gained by ensuring that all
three main participant groups are fully engaged in,
and learn from, the Arts intervention and its legacy.
Many schools choose to hold after-school workshops
and open afternoons as their wider community aspect
many of which are well received and help to promote
not only the schools activities but also to further the
understanding of the role of the professional artist.
It must be stressed that Creative Contexts for Learning
is not purely about outcomes it is about process.
Schools
are asked not focus too firmly on the physical results e.g. a sculpture in the school grounds, but more on
the development of skills including practical Arts and
thinking skills.
If a sculpture, a musical composition or a
film is a natural outcome of the process and relationship
with the Arts professional then that is a bonus.
Creative Contexts for Learning uses classroom-based,
action research to measure pupil progress and gains made
in learning, both in their chosen art form or forms and in
core areas of the curriculum.
Other supporting evidence
includes initial and final assessments, questionnaires, Co-ordinators
Reports, SAT results and Oftsed Reports.
Creative Contexts for Learning takes place over the
course of an academic year.
The autumn term sees the
official launch take place as well as planning and initial
assessments.
The spring term is when the bulk of artist
residencies and creative activities take place and then the
summer term is when the final assessments and report
writing takes place.
Activities are concluded with a
celebratory exhibition in the stunning setting of Beverley
Minster, which takes place from late June into early July.
Each school has a nominated Project Co-ordinator
who is the key person with responsibility for steering
the Project in school and who liaises with the School
Improvement Service's Teaching and Learning Consultant
[Creative Arts].
With support and advice from the TLC
the school Co-ordinator establishes the shape of the
school Project and employs a suitable Arts practitioner
for a residency in school to make the experience a
positive and fulfilling one for all concerned.
Regular meetings for co-ordinators take place during the year.
In order to make an assessment of pupil progress and
gains made in the chosen Art form and in core areas of
learning Creative Contexts for Learning uses a classroom-based, action research methodology.
Please use the addresses provided to contact us if you would like
more information, or you would like to contribute information or
resources for publication on the site.
David Mell, Teaching and Learning Consultant, Creative Arts
Tel: (01482) 392466
E-mail: david.mell@eastriding.gov.uk
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